Michael Karl Richards is an actor and writer who is known for his ability to find humanity, even in unlikable characters. Michael’s work spans over two decades and includes work on both stage and screen.
The only child of novelist Linda L. Richards, Michael was born in Canada and raised in both British Columbia and California. He trained in New York City at the Neighborhood Playhouse and when he’s not working he resides on an island in the Pacific Northwest.
From Michael:
The guiding force in my career has been passion and following where it leads. From creating a theatre company and producing plays like The Pillowman by Martin Mcdonagh and Thom Paine by Will Eno, to working on finding ways into the hearts and minds of the over fifty characters I’ve played on screen. Many of whom at first glance didn’t have a lot of redeeming qualities. Passion and joy have been my compass.
I think story is foundational. It might be the most important tool we have. It’s how we share ideas. How we relate to each other. It’s how we connect. Also, I am endlessly fascinated by people; what makes them do the things they do and act the way they act. With that in mind, I suppose it was appropriate that I should become an actor. What better way to explore both story and the people that drive them, while also tangibly exploring self? The exploration of self, of course, being the best way I can think of to explore others.
Acting has also been a way to push myself and what I’m comfortable with. I’m not particularly at ease in front of people without some sort of mask. Also, the exploration of being a more “full” actor never ends. Becoming a craftsperson and working towards mastery is a life-long journey, one that feels worth the time invested. It always seems the more I learn, the less I feel certain I know.